Abstract
Natalia Gałczyńska, the great love of Konstanty Ildefons, his wife, muse, lover and guardian, was for him the embodiment of the ideal of femininity. He dedicated her to the most beautiful and most sensitive lyrics, describing it in everyday situations. He transformed her character, making her the heroine of her poetic fairy tales, erotics, companion of suffering, poverty and The poetic image of Natalia Gałczyńska, created by her husband, is a portrait of a woman unique in poetry – a goddess, friend, mistress and mother.
References
Arno A., Niebezpieczny poeta: Konstanty Ildefons Gałczyński, Kraków 2013.
Gałczyńska K., Splątało się, zmierzchło. Wspomnienia, Warszawa 1995.
Gałczyński K. I., Notatnik, Warszawa 2009.
Gałczyński K. I., Serwus, madonna. Wiersze dla Natalii, Wyd. Iskry, Warszawa 2018.
Wilkoń T., „Serwus, madonna” Konstantego Ildefonsa Gałczyńskiego. Przyczynek do dziejów jednego wiersza, http://bazhum.muzhp.pl/media//files/Postscriptum_Po- lonistyczne/Postscriptum_Polonistyczne-r2011-t-n2(8)/Postscriptum_Polonistycz- ne-r2011-t-n2(8)-s241-249/Postscriptum_Polonistyczne-r2011-t-n2(8)-s241-249. pdf [dostęp: 15.01.2020 r.].
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