Abstract
In his article entitled “Zawisza Czarny” by Juliusz Słowacki Marek Dybizbański proves, among other things, that the Polish bard’s text has been preserved in the form of a diverse collection in which mutually contradictory solutions meet and alternative works overlap, just because Słowacki ultimately did not write a drama, that is: he did not lead it to a finite form that would have obtained an author’s stamp, preferably in the form of an authorised publication. After the poet’s death, the initiative was taken over by manuscript researchers, editors, as well as literature historians, working according to their contemporary standards, which in the meantime slowly evolved, as a result of which "Zawisza Czarny" went through several different phases in the history of its critical reception. The researcher concludes that the attempt to find a way to publish the text of "Zawisza Czarny", which will foster a multidirectional reading of the, after all, “scattered” text, inevitably leads to genetic editing.
References
Kleiner J., Juliusz Słowacki. Dzieje twórczości, t. IV, wyd. II, Kraków 1999.
Kleiner J., „Zawisza Czarny” Słowackiego: ustalenie układu dzieła, „Pamiętnik Literacki” 1954, z. 2.
Pigoń S., Słowackiego jeden czy dwa dramaty o Zawiszy Czarnym?, „Pamiętnik Literacki” 1961, z. 4.
Saganiak M., Mistyka i wyobraźnia. Słowackiego romantyczna teoria poezji, Warszawa 2000.
Sławińska I., Przywołanie przestrzeni w dramacie Słowackiego „Zawisza Czarny”, [w:] tejże, Odczytywanie dramatu, Warszawa 1988.
Słowacki J., Dziady, [w:] Dzieła wszystkie, t. XIII/2, Wrocław 1963.
Słowacki J., Dzieła, pod red. J. Krzyżanowskiego, t. X, oprac. Z. Libera, Wrocław 1952.
Słowacki J., Dzieła wszystkie, pod red. J. Kleinera, t. XII/2, Wrocław 1961.
Słowacki J., Dzieła wybrane, pod red. J. Krzyżanowskiego, t. V, Wrocław 1990.
Żurek A., Nad tekstem „Samuela Zborowskiego”: układ dramatu, „Rocznik Towarzystwa Literackiego im. A. Mickiewicza” 1979–1980, R. XIV-XV.
Articles published in the “gold open access” mode on the basis of a non-exclusive license agreement between the publisher and the author. Permitted use:
- the publication may be read and stored on any device,
- the publication may be cited (with obligatory reference to the author, the title of the text, as well as the full title, bibliographic address of the issue and page of the journal)
The editorial team of “Bibliotekarz Podlaski” implements an open access policy by publishing materials in the form of the so-called Gold Open Access. From volume 42 (issue 1/2019), the journal is available under the Creative Commons license (Attribution – ShareAlike: CC BY-SA).
The key declarations of the Open Access and Open Science movement, which we fully support, are available on the CEON Open Science website.
COPYRIGHT:
The editorial team of “Bibliotekarz Podlaski” implements an open access policy by publishing materials in the form of the so-called Gold Open Access. The journal is available under the Creative Commons license – Attribution – ShareAlike 4.0: International: CC BY-SA 4.0).
The key declarations of the Open Access and Open Science movement, which we fully support, are available on the CEON Open Science website.
“Bibliotekarz Podlaski” allows its readers to read, download, copy, distribute, print, search and link to the full content of articles. We enable full, immediate, unlimited (both in a territorial, temporal and technical sense) open access to all published content, in accordance with the principle that freely available research increases and accelerates the global development of science and the exchange of knowledge.
The editorial team of “Bibliotekarz Podlaski” encourages authors to place articles published in the journal in open repositories (after the review or the final version of the publisher), provided that a link to the journal’s website is provided.
The journal does not charge the authors any fees for accepting and publishing their texts.