Keywords
The Rose
transcendental poetry
modernism
romanticism
How to Cite
Abstract
The author of the article proposes a new reading of Stefan Żeromski’s drama The Rose. Originally, the text was an attempt to diagnose Polish society after the
revolution of 1905, and - formally - it resembled major Polish romantic dramas. Taking this context into account, the author of the article looks at Żeromski’s
drama through the prisms of both romantic transcendental poetry and twentiethcentury avant-garde theatre. The key to the interpretation of The Rose turns out to be the recognition of its being a drama that records a superindividual, total experience.
References
Abrams M. H., Formy wyobraźni romantycznej, przeł. P. Graff, „Pamiętnik Literacki” 1978, z. 1.
Brzozowski S. Skarga to straszna. (Rzecz o Róży Józefa Katerli) (pierwodruk w Krakowie w 1919 roku), w: tegoż, Współczesna powieść i krytyka, Kraków - Wrocław 1984.
Kalemba-Kasprzak E., Teatr „Róży", w: tejże, Prometeusz z przepiórką. Dramaty Stefana Żeromskiego: od Czarowica do Przełęckiego, Poznań 2000.
Pisma teoretyczne niemieckich romantyków, wyb. i oprac. T. Namowicz, Wrocław 2000.
Zimand R., „Róża" - próba lektury, w: tegoż, Szkice, Warszawa 1965.
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