Psychotherapeutic Discourse in Contemporary Russian Drama
PDF (Русский)

Keywords

psychoanalytic discourse
representation
reference
identification

How to Cite

Maliutina, N. (2020). Psychotherapeutic Discourse in Contemporary Russian Drama . Bibliotekarz Podlaski, 46(1), 349–366. https://doi.org/10.36770/bp.434

Abstract

The article analyzes the communicative strategies of the utterance in a number of plays by contemporary Russian-speaking playwrights (A. Stroganov, D. Balyko, A. Voloshinoy, O. Kanina, I. Murenko) on psychoanalytic practices, group sessions with a psychotherapist, etc.
As the analysis has shown, these plays reveal the processes of personal (self)identification of the hero/reader with the Other, the mechanisms of manipulation with the mass consciousness and the creation of a performative way of interaction. The representation of the hero’s internal state serves as a means of transformation of his habitual picture of the world as well as a way of returning to the initial (pre-traumatic) state. The psychotherapy session incorporated into the structure of the action contains a powerful resource for modeling the countertransference of the psychological state. Hence, the background of experiencing a particular role, accepting it or not by the hero and also by the reader/spectator as part of themselves expands.
At the same time, a number of plays demonstrate a rhetorical strategy of didacticism, parables, irony and parody. The psychotherapeutic discourse is presented as one of the components of media realism that
forms the mass collective consciousness. 

https://doi.org/10.36770/bp.434
PDF (Русский)

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The editorial team of “Bibliotekarz Podlaski” implements an open access policy by publishing materials in the form of the so-called Gold Open Access. The journal is available under the Creative Commons license – Attribution – ShareAlike 4.0: International: CC BY-SA 4.0).

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