Abstract
This article presents the profile of the forgotten Bulgarian modernist, poet, playwright, and revolutionary activist Pejo Yavorov (real name: Peyo Kracholov, 1878–1914). The article reveals a distinctive „fracture” in the poetic work of the author of Haiduk Songs, highlighting two distinct stages in his career. In the first stage, Yavorov is a poet of action, a vitalistic, courageous rebel, while in the second stage, he becomes a pessimistic poet filled with apathy and doubt. The analysis demonstrates that the primary tone of his poetry is dictated by a distinctly decadent-pessimistic aspect of his personality, closely tied to the fin-de-siècle aura of the late 19th and early 20th centuries. This poetry also takes shape through the pervasive sense of the tragedy of existence, imposed by rapid maturity as a result of the poet’s dramatic personal experiences.
References
Arnaudov M., Penčo Slavejkov, P.K. Âvorov, Kiril Hristov, Sofia 1978.
Âvorov – literaturni i biografični sûžeti, red. M. Dimitrova, P. Antov, S. Karolev, Sofia 2009.
Dąbek-Wirgowa T., Historia literatury bułgarskiej, Wrocław 1980.
Gołek-Sepetliewa D., Procesy europeizacji kultury i literatury bułgarskiej w epoce modernizmu, „Pamiętnik Słowiański” 2012, T. 62, z. 1/2.
Jaworow P., Wiersze wybrane, tłum. W. Smochowska, Sofia 1947.
Jaworow P., Poezje wybrane, wybór i wstęp A. Kamieńska, Warszawa 1972.
Markovska M., Pismata na Mina do Javorov, Sofia 1984.
Najdenova-Stoilova G., Lora-Âvorov: pisma i dokumenti, Sofia 1983.
Podraza-Kwiatkowska M., Literatura Młodej Polski, Warszawa 1997.
Sauerland K., Fryderyk Nietzsche: „Tako rzecze Zaratustra” – odczytanie literacko-filozoficzne, „Teksty: teoria literatury, krytyka, interpretacja” 1980, nr 3 (51).
Todorova M., Pismata na Mina, oprac. S. Pamukov, Plovdiv 1984.
Velkova-Gajdaržieva A., Âvorov post mortem, „Poznańskie Studia Slawistyczne” 2019, nr 17.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Copyright (c) 2024 Paweł Wojciechowski