The image of time and space in Ludmila Petrushevskaya’s fairy tales
PDF (Русский)

Keywords

space
time
postmodern fairy tale
artistic image
L. Petrushevskaya

How to Cite

Zarovna, I. (2021). The image of time and space in Ludmila Petrushevskaya’s fairy tales. Bibliotekarz Podlaski, 50(1), 255–266. https://doi.org/10.36770/bp.588

Abstract

The article considers the image of space and time in the postmodern fairy tales of Lyudmila Petrushevskaya The Tale of the Clock (сollection Real Tales) and The Tale of White Teapots (сollection A Suitcase of Nonsense). The conducted analysis leads to a conclusion that the fabulous place and time complement each other, they are interconnected and penetrate one another. At the same time, in the chronotope The Tale of the Clock by L. Petrushevskaya, space is specifically repressed and replaced by time since it acquires the character of an existential essence. In the fairy tale White Teapots, time and space are identical as in the conventional space of a theatrical stage (theatrical performance) and in the real perception of the performance by the audience, the Director, actors and the Sorceress. However, the assimilation of reality to theatrical fiction destroys the artistic convention of a fairy tale. Therefore, the identity of time and space in the perception of the reader of the tale is destroyed. 

https://doi.org/10.36770/bp.588
PDF (Русский)

References

Литература:

Апоненко И., Новаторство и отношение к традиционной культуре в творчестве Л.С.Петрушевской (на материале собственных имен сказки «Спасенный»), режим доступа: https://repo.dma.dp.ua/1714/1/Aponenko_statja.pdf [10.10.2020].

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Bibliografia:

Aponenko I., Innovation and attitude to traditional culture in the work of L.S. Petrushevskaya (based on the proper names of the fairy tale "The Saved"), https://repo.dma.dp.ua/1714/1/Aponenko_statja.pdf [10.10.2020].

Petrushevskaya L., White teapots: http://books.rusf.ru/unzip/add-on/xussr_mr/petrul20.htm?1/1 [7.10.2020].

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The editorial team of “Bibliotekarz Podlaski” implements an open access policy by publishing materials in the form of the so-called Gold Open Access. The journal is available under the Creative Commons license – Attribution – ShareAlike 4.0: International: CC BY-SA 4.0).

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