Genre Tropics, Fiction, the Spheres of Personages in the Latest Prose of Polish Postrealists
PDF (Język Polski)

Keywords

review
Dariusz Piechota
literary studies
polish literature
post-realism

How to Cite

Maliutina, N. (2023). Genre Tropics, Fiction, the Spheres of Personages in the Latest Prose of Polish Postrealists: [Rev. D. Piechota, Postrealist Experiments. Sketches on the Latest Polish Literature, Episteme Press, Lublin 2022, 322 p., ISBN: 978-83-67049-45-0]. Bibliotekarz Podlaski, 58(1), 379–386. https://doi.org/10.36770/bp.792

Abstract

The monograph by Dariusz Piechota analyses some images, motifs, and types of
characters that go back to Polish prose of the second half of the 19th century as well as modernism. The book deals with the global problems of civilization that have determined the consciousness of modern society. The author demonstrates that addressing specific topical issues (ecology and climate change, diseases, and destruction of personal identification under the influence of pop culture and the digital age) acquires genre characteristics in post-realist prose. Traditional genres (soap operas, family sagas, melodrama, etc.) have been enriched with features of other genres or methods of seeing the world. The author traced the features (signs) of a fairy tale, dystopia, or anti-utopia, a psychological story in the latest Polish and American stories.

https://doi.org/10.36770/bp.792
PDF (Język Polski)

References

Butler J., Uwikłani w płeć. Feminizm i polityka tożsamości, tłum. K. Krasuska, Warszawa 2008.

Kirby A., Digimodernizm. How New Technologies Dismantle the Postmodern and Reconfigure our culture, New York and London 2009.

Kizioł A., Przyjaciele pozostają przyjaciółmi, „Polityka” 2019, nr 38.

Piechota D., Eksperymenty postrealistów. Szkice o najnowszej literaturze polskiej, Lublin 2022.

Piechota D., Między utopią a melancholią. W kręgu nowoczesnej i ponowoczesnej literatury fantastycznej, Lublin 2015.

Piechota D., Pozytywistów spotkania z naturą. Szkice ekokrytyczne, Lublin 2018.

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Copyright (c) 2023 Nataliia Maliutina

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